Sangwoo Yoo
Lives and works in Chicago, IL
Artist statement
I create art to reconnect the dulled senses of contemporary subjects. My experience as an archaeologist drew me toward objects that carry the weight of accumulated time, yet the social reality around me felt oversaturated—shaped by rapid, unruly shifts. For those numbed by this landscape, I work through bodily senses—such as scent and touch—alongside the visual. My work aims to build a still refuge where the body and mind can meet, slow down, and linger. In Portrait of Loss, I explore how botanical beings become objectified within cultural contexts and how their inherent significance fades. The project emerged from the temporal dissonance of encountering a monumental Christmas tree abandoned on a Chicago street, days after the holidays had ended. By deconstructing the remnants into fir-scented dust, I rendered the emotions of loss embedded in this cultural icon into an olfactory form. Dust ephemerally fades, paper boats soften and dissolve in water, and everything eventually returns to the land, seeding new life. I work with the ecological rhythms of materials, creating compositions shaped by vitality and mortality through substances gathered from specific sites. In a world dense with residual matter, this practice becomes a gesture of release and responsibility. My practice is becoming a quiet, collective act—where shared presence softens boundaries and returns gestures, materials, and attention to a common environment. I am drawn to the question of how materials that...
Artwork
- Portrait of Loss (dust), 2023. Discarded Christmas tree
- Portrait of Loss (dust)(2024), 2024. Discarded Christmas tree
- Portrait of Loss (What Settles in the Lowest Layer), 2025. Discarded Christmas trees (dust, resin, incense), pine lumber
- When the Land Became a Vessel, 2023. Dustized Christmas tree returned to the forest of origin, Colorado
- Portrait of Loss (incense), 2023. Incense cone of discarded Christmas tree burned in Colorado forest where tree originated
- Portrait of Loss (candle), 2023. Discarded Christmas tree chlorophyll, body, and fragrance with beeswax
- The Room Where Light Doesn’t Reach, 2025. Anthotype on paper made from discarded tulips collected in public gardens
- The Room Where Light Doesn’t Reach (pendulum), 2026. Framed anthotype on paper made from tulips collected in public gardens, pendulum and motor mechanism
- To Fold, To Wish, 2025. Public event — folding paper boats with repurposed paper from discarded city ornamental plants
- When the River Cradles Wishes , 2025. Single-channel video of paper boats made from discarded tulips in public gardens, returning to the environment
- Steeped in Memory, 2025. Single-channel video (documentation of a public project); tea brewed from discarded Christmas trees; locally sourced wild-clay cups
- Portrait of Loss (horizontal time), 2024. Discarded Christmas tree, hourglass, plywood, wood, lint
- Earth Casting, 2023. Gelatin-based biodegradable foam, earth, wood, wheels, hinges
- Material innovation practice , 2024. Biomaterials collection made of site-specific materials
- Blue Wall, 2026. Soap, naturalized and weedy plants found in Korea (including Black Locust, Daisy Fleabane), removed street tree trunks and branches, plant pots, soil, Douglas fir lumber, scent extracted from discarded Christmas trees, oil diffuser, pinwheel
- Cave, 2025. Fir resin, beeswax, wood
- Whispers of the Faded, 2024. Windmills and sails made from handmade paper, River Cane, bells, metal pins, wire and wind
- Sotdae, 2022. Wood, horn speaker, live sound, and sand-bags