Sebastian Kozak
Lives and works in London, UK
Artist statement
My practice is research heavy and largely propositional, often culminating in installation/sculpture and sound. Core to my interests are vulnerabilities of masculinity, masochism, spectres of loss and displacement, the Sovereign body. Elements are bought into environments and work together with displacement to (un)form a rebus like space whose materials and sounds have been selected for their figural potential. Materials gathered form a pallet of a sinister matrix of the spectral mise en abyme. The symbolic excess and the abundance of overlying meanings are deposited like folds obstructing the smooth surface of reality, deferring the moment of unveiling truth. Many elements such as rubber, fat or more unconventionally, the synthetic scent of a drowned cadaver as used in the training of sniffer dogs, point to specific processes by which certain materials, being politically charged have by way of leaking, and context, become subverted. Ultimately the subject always returns to the body, the corporeal.
Artwork
- PSYCHOPAPHIA IMMERGO, 2019. Rubber British Coat of Arms, clear plastic sheeting, quilted protective blanket, Sigma Pseudo™ drowned victim scent, bone cast from tallow
- METAL BUD 1, 2021. Mesh vinyl banner
- FUTILE STRUGGLES, 2018. Sound
- Clear heads, solid stomaches and hard muscles, 2018. Rubber British Coat of Arms / clear plastic sheeting / shredded urinal blocks / stainless steel bowl / powdered blood in bucket / magnetic prints / polyurethane foam bones / quilted protective blanket / 30kg tallow / collapsab le dog bowl / apothecary empty gelatine capsules / bovine serum albumin / body building supplements / octagon rashguard leggings and balaclava / styrofoam polish eagle / Sigma Pseudo™ drowned victim scent / lead knuckle bone / metal wire / duct tape / plastic sheeting / fibreglass
- UNTITLED- DEATH AND DISASTER 1, 2012. OIL ON CANVAS
- SATYRIASIS, 2012. laser cut steel, heat transfer prints on steel, microphone, sound, steel grating