Serena Chang
Lives and works in New York
Artist statement
As a second generation Taiwanese American, the duality of my cultural perceptions inform my interest in socio-economic ideologies of the American dream, labor, and authenticity. I’m interested in the language and aesthetics of the global economy; processes of manufacturing, outsourcing, importing, and exporting embody the subjective and objective notions of identity. What does is mean to outsource your work and who is importing and exporting the ideas? My work confronts the dependencies/benefits of these global/local relationships and explores the dualities of being Taiwanese/American and Artist/Fabricator — identities that both rely on the exchanges of culture and labor.
Artwork
- Conduit for Dreamt Waters II, 2025. wood, paper, pigment, PVA adhesive, acrylic, clear coat, power supply, speakers, amplifier, monitor, media player
- Drainage, 2025. Wood, paper, pigment, PVA adhesive, acrylic, clear coat, power supply, speakers, amplifier, monitor, media player, steel
- Marathon (986-P3, 2025. Wood, cardboard pulp, paper, pigment, PVA adhesive, acrylic, clear coat, power supply, speakers, amplifier, monitor, media player, steel
- Time and Tide Wait for No Man [时不我待],, 2026. Wood, paper, pigment, PVA adhesive, acrylic, clear coat, single channel video, monitor, media player, hosiery, aluminum, steel, PETG plastic, fans
- Sweet Water, 2025. hosiery, steel, PETG plastic
- Untitled (Item#:608), 2024. wood, paper, pigment, PVA adhesive, acrylic
- Net Gain Net Loss (Sculpture1), 2020. Steel, Cable, Aluminum, Epoxy, Acrylic, Glass, Sand, Foam
- Untitled (Item#:TS-132), 2024. wood, paper, pigment, PVA adhesive, acrylic
- Us, 2024. Hourglass, sand, steel, hosiery, motor, arduino
- XYZ&, 2025. wood, paper, pigment, PVA adhesive, acrylic, clear coat, monitor, media player, hosiery, steel, PETG plastic