Serene Hui
Lives and works in The Netherlands/ Hong Kong
Artist statement
Serene Hui is an artist working between Hong Kong and the Netherlands. Her practice is research-focused and multi-faceted, engaging primarily with installation, audio and live works, printmaking and text. Serene's work is involved in a discursive, artistic and political exploration of her own context, using the geographical distance from personal lived experiences to investigate the wider socio-political impact of how meaning is made and who has access to making it. Her practice is currently invested in epistemological colonialism for the ways it affects social structures, languages, psychology and its potential susceptibility for manipulation. In her works she addresses obscurity and nuances by creating an ontological shift of displacement - meaning to transform social conventions, normative ignorance, and language ambiguity into resistance, reflection and criticism of contemporary systems. Serene’s works have been included at TENT (NL), Research Academy, Zurich University of the Arts (Zurich), Para Site (Hong Kong) and Tai Kwun Contemporary (Hong Kong) among others. Her printmaking works are collected by Museum Meermanno – House of the Book (NL) and KB National Library of the Netherlands. She is an artist-in-residence at MMCA Seoul (South Korea); Nida Art Colony (Lithuania) and more. In 2021, she released her book-length publication “May We Live In Interesting Times - The Politics and Poetics of Ambivalence”. Serene’s artistic practice and exhibitions are supported by...
Artwork
- Tiger’s Head, Nail’s Tail: The Scribe, 2025. Mixed Media Sound Installation
- Tiger’s Head, Nail’s Tail: Yours Faithfully, 2025. Essay-film
- ‘Tiger's Head, Nail's Tail : The Scribe, 2024. Photoetching and UV print on Chine Collé on Arches BFK Rives papers
- An Agreement, 2026. A Conceptual performance
- What Kinds Of Times Are These, When To Talk About Trees Is Almost A Crime, 2021. Lithography, Polymer Letterpress, Sublimation print, Press-ready lithographic limestones, Chalk on wall, lighting arrangements
- Ingressives, Egressives, Echoes, 2025. LPR 35 1/4”” x 270m x 5”” tape; duration 14m 35s, 1:1, loop.
- "Gossip" from "Scold, Gossip and Siren (A trilogy on feminine voices, words and songs)", 2022. Letterpress and polymer photogravure printing on Hahnemühle papers, Black ink impression rubber stamp
- "Siren" from "Scold, Gossip and Siren ( A trilogy on feminine voices, words and songs)", 2022. Audio Installation, Live Performance