Sheldon Wong
Lives and works in Honolulu, HI
Artist statement
In a century, our bodies will be no more, but our archives may persist. The home gets all the glory, the walls invisible foundation. Inside, I learned how to desire. I learned how to dance. I learned and unlearned shame. I saw the walls reflect back a fractal soul and I mustered up the courage to cry. The body remembers what the mind neglects. A repeated gesture becomes a language of care, an articulation of touch as a labor of love. As a queer Asian-American, my work is interested in connecting my own diasporic histories within the land, within the home, within the body. Shaped by borders, migration, and the inheritance of shared experience; I am interested in interrogating the structures that determine which narratives are preserved, inserting myself as an active participant in mechanisms that safeguard my own history. I ask how we might listen more intently, how we might remember ourselves into wholeness. Beyond walls, beyond nation, beyond the lines we’ve drawn. Through gestural mark-making and a sculptural language of fragmentation, I can explore archives as living, ever-changing structures shaped by the ongoing extractions between the body, the land, and woven into our collective dreams.
Artwork
- anemoia (Installation View), 2026. Porcelain, Copper, Gold Leaf
- Bed (Can we sleep in together?) (Performance Still), 2026. Porcelain, Copper
- shrine to an alcoholic, 2024. 444 Porcelain Cups, Whiskey, Wood Pallets
- Chair (Sing me your forgotten song), 2026. Image Transfers of Artist’s Family Photos on Porcelain, Grout, Found Monobloc Chair
- Chained Silhouette (Configuration I, II, and III), 2023. Porcelain
- meet me at the tips of my fingers (Performance Still and Detail Shot), 2024. Unfired Clay Fingerprints