Sichong Xie
Lives and works in Los Angeles, CA, USA
Artist statement
I'm a multidisciplinary artist currently lives and works in Los Angeles. My practice combines materiality, movement, and performance of memory through elemental media and site-specific installations. By placing traditional sculptural forms within new sites, materials, and social constructs, I investigate these forms and movements within global communities to re-consider and re-envision shared spaces and performative practices. My practice raises questions about identity, politics, cross-culturalism, and the surreal characteristics of my body in the ever-changing environment. As an immigrant artist, I'm interested in the research of human populations, their geographical locations, and the resulting cultural movements, I strive to create work that reflects the importance of the spaces we find ourselves in and their impact on our lives. In my most current project, "Trampoline House: Memory Drawing Series," at the Armory Center for the Arts in Los Angeles, I transform a playground into a stage of temporal disintegration. Drawing from children’s games and the rawness of construction site materials, this durational performance/installation collapses the boundaries between play and labor. A trampoline becomes the platform for a living drawing, where a large chalk piece is layered over original architectural blueprints from my grandfather in the 1960s. Every memory is an empty theater, a space that once held meaning and is now gradually fading into oblivion. As the durational...
Artwork
- Trampoline House: Memory Drawing Series, 2025. Durational Performance / Installation
- The Sail From The Red Sea, 2022. Durational Performance / Site-Specific Installation at ZK/U (Zentrum für Kunst und Urbanistik).
- Do Donkeys Know Politics, Scaffold Series I, 2020. Multi-Channel Video Installation. SCH 40 steel, wheels, fabric, ink, soap wash stain, cheese borough, HD videos, continuous loop (color/sound).
- Chalk Playground: Dust, Moist, A Memory River, 2023. Durational performance / site-specific installation, chalk powder machine set on a timer, embroidery on construction mesh, cotton thread
- Walking With The Disappeared, 2017. Four Hour Durational Performance / Site-Specific Installation.
- Memory Structure, Scaffold Series, 2021. Mixed Media Installation. Bamboo poles, washers, embroidery cotton thread on industrial mesh.
- The Boat Has Sailed, Hasn't It?, 2019. HD Video, Stereo.
- When the peaks of our washing sound come together, my tree house will have a roof, 2018. Site-specific Durational Performance / Installation.
- Trampoline House: Memory Drawing Series I: Take #2, 2024. Still from HD video (color, sound), performance for camera, trampoline mesh, trampoline springs, metal, chalk
- You Can't Take That Away From Me, 2018. Performative Photography, C Prints. Communist male outfit embedded with a fake Louis Vuitton logo patterned fabric.
- On The Ladder Alone Can I Climb Over The Dunes, 2021. Site-specific Performance, Documentation, HD Video, Photography.
- Two Sides: MexiCali, Mexico and Calexico, California, 2025. Two-channel video installation (color/sound), 15 minutes (3 minute excerpt)
- Two Sides: Mexicali, Mexico and Calexico, California, 2025. Two-channel video installation, 12 minutes (film still), color, stereo.
- Lake Lonely, 2020. HD Video, Stereo.
- Lake Lonely, 2020. HD Video, Stereo, Handmade Parachute.
- Nomad Land, 2025. Film Stills from the Multi-Channel Video Installation