Silvia Lerín
Lives and works in London, UK
Artist statement
I work with my hands before I work with ideas. Canvas, fabric, wood, metal and objects that have already had a life: I cut, fold, sew, wash, rub and scratch until the material and I reach an agreement. What I bring to it is usually something that has stayed with me — an object, a place, a moment from ordinary life — carried into the studio as a metaphor rather than a subject. Time is my collaborator. I build surfaces in layers, washes and frottages, then scrape, sand and wash back, allowing the surface to gather a history. What reads as weathering is painted, not suffered. Surfaces age the way we scar; we change, and the work changes with us. I am interested in things that have been used, discarded or considered finished. I do not see them that way. Everything is matter, and everything matters. In my work, matter does not die; it simply changes body.
Artwork
- Helix I, 2025. Acrylic on canvas and nails
- Copper Hair, 2021. Acrylic on canvas and copper rods
- Fold I and Fold II (diptych), 2026. Acrylic on canvas and wood
- A través del Azul IV, 2024. Acrylic on canvas and wood
- F - Red Pansy I , 2024. Acrylic on canvas and wood
- Oxidised Copper, 2021. Acrylic on canvas
- Solid Rod XLII, 2026. Acrylic on paper and wood on conservation board
- Rough Gemstones, 2024. Silicate paint
- Neons from Heaven , 2019. Acrylic on canvas, cardboard tubes, metallic eyelets and hooks, nylon thread and acrylic mirrors
- A Metal Flower is a Dead Flower (diptych) , 2017. Acrylic on canvas and wood, cable and half-filled glass of water
- Full-Time Labyrinth, 2021. Acrylic on canvas and stainless steel pipe elbows