Sopheak Sam
Lives and works in Boston, MA
Artist statement
Sopheak Sam is a Cambodian-American queer artist and former child refugee whose sensuous and spatial interventions distill postwar intimacies. Drawing from history and family records, Sam pieces fragmentary memories into material and spatial forms. Their work scaffolds the vernacular and the everyday into layered, ornamental thresholds, stuck in an unsettled space between insider and outsider. Often unfolding as room-scale installations, their interdisciplinary work use mimicry and dissolution to trace the afterlives of Cambodian refugeehood. Taking shape as painting, sculpture, video, fiber, writing, and ephemera, their studio practice is autoethnographic – informed by decolonial methodologies at the interstices of affect and trauma theory, critical refugee studies, queer of color critique, cosmopolitanism, and vernacular Buddhism. Their research inquiry reframes how we might view queer/Asian/diaspora within multiple entangled intellectual genealogies, political formations, and relational socialities.
Artwork
- No More Blue Horizons, 2024. Inkjet transfer on wood, oil paint, paper clay, concrete blocks, incense sticks, rice grains
- Half Brothers, 2023. Inkjet transfer on wood, oil, acrylic, watercolor, iridescent medium, pencil, tulle, lace, thread, rope, synthetic garlands, archival family photographs, concrete blocks, incense sticks, rice grains
- Come To My Window, 2024. Silk, nylon, polyester, and thread
- Do You Really Want To Hurt Me, 2026. Mixed media (image transfer, poster paint, acrylic, gouache, oil pastel, papier-mâché) on canvas with laser-cut plywood support structures with sandbags
- You Are From My Past Life, 2024. Inkjet transfers on MDF, recycled strip boards, oil, acrylic, papier-mâché
- Never Let Me Go, 2025. Silkscreen on nylon, sheer fabric, metallic thread, wooden dowels, dyed yarn
- Let the Right One In, 2024. Inkjet transfer on wood, metal hinges, recycled fabrics, acrylic on canvas, chalk pastel on gauze, lace, thread, lace, video projection, incense sticks, offering bowl,
- I Miss You More Than I Remember You, 2025. 9-channel video installation (color; sound) with paper pulp, wood, cement, thread