S. Yemisi Adeyemo
Lives and works in New York, NY
Artist statement
S. Yemisi Adeyemo is an interdisciplinary artist working at the intersection of assemblage, painting, and sculpture. She draws from the visual languages of Afro-diasporic traditions, folk and ritual objects, shanty structures, makeshift and make-do tactics, Black feminist thought, and the history of painting to create devotional and disobedient objects. Adeyemo’s practice includes a distinct combination of imagery and materiality. Carefully selected primary source photographs from articles, social media, and digitized archives serve as reference material for the painted vignettes that dress the surfaces of her work. These choice moments survey both current and historical events: material conditions across global and domestic contexts, socio-political and counter-hegemonic movements, examples of resilience, and experiences of tremendous grief. The slow and deliberate re-presentation of these images is an attempt to resist algorithmic complacency and reshape the ephemeral into material. From there, tracing the interconnectedness of each moment becomes part of her work’s aspiration to build political consciousness. The sculptural components of Adeyemo’s work are fashioned out of discarded materials recovered from urban public space. She calls upon the visual and spiritual cues of such assemblage-based folk traditions as memory jugs, bottle trees, altars, and gravesite offerings. Her practice is, in many ways, influenced by her late father: the material remnants of his life,...
Artwork
- Boot on the Neck of the River (The Last Martyr is the Water), 2025. Acrylic and found materials (wood, metal, glass, paper clip, plastic, bottle cap, mirror shards, seashells, broken padlock, pocket knife, string, key, and other miscellaneous objects)
- Untitled (Migrant Study), 2026. Acrylic and found materials (wood, plastic, glass)
- Asylum Seekers (Poorest Path from the Richest Earth), 2026. Acrylic and found materials (metal, rope, ceramic, plastic, wire, thread, hair, ribbon, twine, fabric, wired headphones, seatbelt buckle, plastic spoon, keys, zipper, mirror shards, soil)
- Young Pioneers (Centre Thomas Sankara pour la Libération et L’unité Africaine), 2025. Acrylic and found materials (metal, plastic, fabric, car parts, wooden chair, rubber stamps, tile, and other miscellaneous objects)
- The Lie-In (Altar at 202 Bay St, Staten Island, NY), 2026. Acrylic and found materials (wood, plastic, metal, tree branch, the artist’s hair, bungee cord, fabric, wire, combs, CD’s, ceramic, glass, wall charger, twine, leather, beads, other miscellaneous objects)
- Vigil (Young Mourners), 2025. Acrylic and found materials (wood, pen caps, plastic, copper wire, and other miscellaneous objects)
- Repatriation of the Panguna Mine (28 Years After the Revolution), 2026. Acrylic and found materials (metal, ceramic, plastic, and copper sheets from lithium-ion batteries)
- Resistance Talisman, 2024. Acrylic, acrylic paint skin, and found debris (plastic disk, paper scraps, bottle cap, paper box, string, plastic ring, metal washer, glass shard, blue curling ribbon)
- Mubarak’s Blue Hands (Sulala Animal Rescue), 2025. Acrylic and found materials (wood, plastic, metal, glass, ceramic, bottle caps, poker chip, spoon, seashell, key)
- Absolution Vessel, 2026. Acrylic and found materials (wood, seashells, reflective shards, animal skull, combination lock dial, gauze, ceramic, plastic fork, puzzle piece, poker chip, metal, key and other miscellaneous objects)
- Ten Pairs of Burning Eyes, 2024. Acrylic, acrylic paint skin, Apoxie sculpt, and found debris (plastic bottles, wire, wood fragment, cardboard, nails, rusted rubber)
- Relief seeker, 2024. Acrylic paint skin, light bulb, and found debris (broken drawer, scrap metal, scrap wood, key)
- Christmas Day at the Gates of Elbit (The Guillotine), 2025. Acrylic paint skin, lightbulb, and found debris (discarded wood, rusted metal scraps, plastic fragments, cardboard, string)