Stacey Lee Gee
Lives and works in Chicago, IL, USA
Artist statement
Amidst society’s ever-shifting power systems and the distortion of truth that comes with it, I find solace in the study and arrangement of worn out things. The objects we interact with in our everyday lives hold a profound power, preserving evidence that cannot be erased. They carry with them both the literal smells and markings of a life lived and the weight of cultural references evoked by their specific past. These artifacts are the ideal medium to overcome our tenuous relationship with truth. The story of culture is always being written, one that pulls in the past to conjure a new narrative. My work is an observation of that ongoing conversation, an exploration of the complexities and contradictions of memory; a rebellion against the notion that the past is fixed and unchanging. I create environments large and small, as installation or sculpture, by arranging objects that are no longer bound by their original function. The presence of familiar smells and recognizable childhood playthings helps to further distort these arrangements until the edges of a new story materialize.
Artwork
- Mourning Jesus, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- I'LL WORSHIP ANYTHING, 2024
- a portal in neon pink, and another one to punctuate my folly, 2023. 1980s child-sized Victorian replica vanity, neon pink plexiglass, 30 year penny collection, discarded plastic picture frame, scrap neon orange plexiglass, with participation by rogue sapling branches
- motherGRANDmother, 2020. The household contents of my Grandmother's home in NJ, transported across country to a gallery space in Iowa. The smell of cigarette smoke and her 1980's signature scent is not pictured.
- it's hard to describe, we felt both comfort and terror, 2019. 5 Used Wedding Dresses, 1 doll-sized wedding dress, 3 Wooden Chairs, 36 cans of food, Beseler opaque projector, 1964 Marx dollhouse, Remote controlled fire-like tea lights, Handmade vintage wooden dollhouse, Steel dollhouse with interior sensor activated electric fire logs, 1980’s assorted wall papers, Lace fabrics, fan, Wooden table, Wooden stool, Black pepper scented furniture polish
- Survival Ark for the Volvo XC90, 2019. Shaped wood, red puffer and pink camouflage material, faux fur, personalized survival gear for a Chicago family of three
- Rescue was a long way off, 2019. Manipulated metal playground staircase, structural steel, manipulated 1963 Marx Dollhouse (Tin)
- Sapling Revolt, 2019. Manipulated Iowa sapling trees, dagger blanks, dye, acrylic paint
- She Dances Like a Bomb, 2018. 1970's side-table lamp, Edison light bulb, Arduino, 24v motor, tropical print skirt, floral scent
- The Resurrection, 2016. video performance
- The Binding Myth, 2016. video performance