Susan Strande
Lives and works in New York, NY, USA
Artist statement
I am a figurative and landscape painter working mainly in acrylic, oil, watercolor and portable buon fresco. My work has evolved alongside my practice. Much of my landscape work is both observed in nature and abstracted from memory. I have also done semi-performative photographic, installation and film work in the past. I began training to draw by analyzing the figure with my mother who studied with regional artists at The Frederick Layton School of the Arts in Milwaukee. As a child, I found photographs my father took with his Leica when he liberated the Buchenwald concentration camp which showed mountains of nude skeletal bodies. Those disturbing images affected the way I interpret the world. After receiving my MFA, I received a scholarship to learn traditional fresco painting. This experience shaped much of my life’s art practice. In New York, I met such artists as David Wojnarowitz, Martin Wong and many influences as a waitress trying to pay rent working at The Nightbirds on Second Avenue. I worked at Jus de Pomme Gallery in the East Village and showed work at Danceteria, Limbo Lounge, at other happenings and at the Rivington School, as has been discussed in the publication “Rivington School 80’s New York Underground.” At The Center Show, a groundbreaking exhibition at the New York Gay Community Services Center in 1988, I created a large fresco in situ. I raised two children in the East Village and taught art in several high schools in the Bronx. My work has been...
Artwork
- "Khmer Rouge", 2024. Acrylic on Basswood Panel
- "Greenhouse Gases", 1997. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "The Clone Wars", 1997. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "Sleeping Blaise", 2001. Conte crayon and charcoal pencil on paper
- "14 Year Old", 1999. India Ink Contour Line Drawing on Cotton Paper
- "Myeeka", 2016. India Ink Contour Line Drawing on Cotton Paper
- "Ms. Blaise", 2006. Pastel on watercolor toned 140lb cotton rag paper
- SueStrande, "The Making of the Homeless Machine", 1994. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "Across the Water", 2020. Watercolor on 140lb Arches CP Watercolor Paper
- "Bent", 1988. Watercolor on 140lb Arches HP Watercolor Paper
- "Apocalypse Now", 2025. Watercolor on 140lb Arches HP Watercolor Paper
- "Sunny, 2021. Watercolor on 140lb Arches Watercolor Paper
- "Night Landscape, 2013. Watercolor on 140lb Arches HP Watercolor Paper
- "Hammersmith Farm", 1990. Watercolor on 140lb Arches Watercolor Paper
- "Polluters and Rapists" r Paper, 14-16"X13 13-16", 2025, 2025. Gouache and Pastel on 90lb Arches HP Watercolor Paper
- "Bureau of Land Management", 1999. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "There Will Never Be Another You", 2025. Acrylic on Basswood Panel
- "Catalina", 2024. Acrylic on Basswood Panel
- "Earthquake Lands", 2017. Acrylic on Basswood Panel
- "Massive Ordinance Air Blast Bombs" , 2021. Acrylic on Basswood Panel
- "Human Capital II, 2023. Oil on Acrylic on Basswood Panel
- "Waterwheel in an Earthquake", 2020. Acrylic on Basswood Panel
- "Cartoon Future", 2021. Acrylic on Basswood Panel
- "Polyflouralkyl Starfish" , 2021. Acrylic on Basswood Panel
- "Fields and Water""Fields and Water", Acrylic on Linen, 72"X54", 2019-2023 ,, 2023. Acrylic on Linen
- "Fault of Poor Fucks" , 2020. Acrylic on Basswood Panel
- "Nuclear Fisson", 2024. Oil on Linen
- "Vinyl Chloride", 2024. Oil on Acrylic on Basswood Panel,
- "Hairtrigger Alerts", 2002. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "Hunters", 2021. Buon Fresco (Pigment painted into Lime and Sand) on Steel Frame
- "Human Capital I", 2023. Oil on Acrylic on Basswood Panel
- "Nuclear Winter", 2024. Oil on Acrylic on Basswood Panel
- "Pain", 2025. Acrylic on Basswood Panel