Susy Bielak
Lives and works in Chicago, IL, USA
Artist statement
Some projects begin with a weather report. Others with a kitchen table, a box of family slides, a vessel of volcanic ash, or a walk along the lake. I return to the things I can’t leave behind. My work begins with these encounters rather than a particular medium. They become questions I return to over months and often years. Research and making unfold together through fieldwork, archival digs, experimentation, and collaboration across disciplines. The form follows. Each project finds its own language: a painting, an installation, a sculpture, a photograph, a visual poem. In recent work, I have been moving between Lake Michigan and the volcanic terrain surrounding Popocatépetl and Paso de Cortés. Camas de Ceniza / Ash Beds brings together paintings on amate paper, broom forms made from gathered plants, volcanic ash, photographs, visual poems, and drawings made directly on gallery windows. The project traces relationships among body and weather, breath and ash, erosion and maintenance, memory and place. Drawing, mapping, sweeping, and gathering plant material become ways of making temporary order within shifting conditions. Vientos combines drawings made with my breath, visual poetry translating scientific language, and collaborations with choreographers, using wind as both material and metaphor. Segundo Piso / Second Story integrates domestic furniture into hybrid sculptures and outsized watercolor paintings, using remembered interiors as points of departure for a project...
Artwork
- Camas de Ceniza / Ash Beds, 2026. Installation with paintings on amate paper, foraged plant materials, wire, wool yarn, volcanic ash in glass vessels, visual poems, photographs, and site-responsive drawing
- Drift, 2026. Acrylic on amate paper
- Accumulations and Field Notes: Resilient Plants, 2026. Accumulations: acrylic on amate paper; Field Notes: Resilient Plants: site-specific drawing on glass
- Speculative Nationality Room: Keila (Rio de Janeiro), 2026, 2026. Watercolor on paper
- Segundo Piso (Second Story), 2022. Digital print of watercolor on canvas; antique dresser mirrors, steel bases, acrylic, photo transfer, graphite rubbing, and custom-cut MDF
- Cuarto de Estar (Living Room), 2021. Installation, with wallpaper and 4 sculptures with vintage mirrors, photo transfers, graphite rubbings. Sculpture dimensions variable, approximately 4' wide x 7' tall
- The Shallow Sky, 2022. Video, performance, photography
- Barrenderas: Maintenance (Care) for Impossible Weather, 2026. Foraged plant materials, wire, wool yarn; glass vessels with volcanic ash
- Accumulations, 2026. Acrylic on amate paper
- Accumulations, 2026. Visual poem
- Maintenance for Impossible Weather I, 2026. Photography
- I am made to leave I am made to return: Ensemble, 2026. Photography and video
- I am made to leave I am made to return, Hillman Library installation, 2026. Architectural installation incorporating Pattern Atlas column wraps, Speculative Nationality Room: Keila (Rio de Janeiro), and When I Left staircase texts
- Three Conditional Welcomes, 2023. Vinyl graphic
- Ventifact: Breath Drawings, 2013–present, 2019. Performance, painting, video
- Fourth Horizon, 2017. Video, four-channel audio, sculpture
- A Smell of Dust Invades the Room, from Quake / Temblor, 2009, 2009. Video still
- Vacancies: in the hotel you are more likely to dream and to remember your dreams, 2018. 350 tabloid (11” x 17”) sheets of photocopy paper (original drawing is graphite on paper)