Tommy Bobo
Lives and works in Washington, D.C., USA
Artist statement
My art training benefited from starting in Kansas. Outsiders complain about the flatness, but Kansans will tell you about the importance of regularly seeing the horizon. Now over a decade removed from Kansas, I still get claustrophobic when I have gone too long without seeing all of the sky. When the sun’s light hits the atmosphere, the rays get diffused and scattered across the sky creating that pure blue sky. The light of day is not the single point of the sun, but an illuminated hemisphere that envelops us like a big blue blanket. All of this is to explain why I love working in the dark. Though my studio is small when the lights are off the space becomes near infinite. Working with light and darkness allows me to create my own horizons and blankets of color. The pieces I make are about amplifying nuance, giving light a physicality that confronts the viewer with something they may have otherwise taken for granted. Through materials that disperse and magnify, my work makes light tangible and produces an experience for the viewer that is a balance between a science fair and the transcendent.
Artwork
- In The Middle, Somewhat Elevated (to Forsythe and Willems), 2018. Mirrors, computer controlled lights, and custom software
- The Calm in The Day. Saved For The Moment (B-GR Arrangement) - Detail, 2018. Nails, color gels, and LED spotlights
- Falling Without Seeing, 2018. Mirror, color gels, and LED spotlights
- Kodachrome Grand Canyon, 2018. Mirror, color gels, and LED spotlights
- My Face Against Yours , 2018. Mirror, color gels, and LED spotlights
- To Count So High (Beacon) , 2017. Custom software, LED light bulbs, and existing light posts outside the former site of Walter Reed Army Hospital
- Sunsets (for Dodge, Salle, Rumsey) , 2017. Wooden pedestals, lights, plexiglas, acetate, dichroic film, and custom software
- Projector Blue, 2017. Watercolor and ink on paper