Victoria Dugger
Lives and works in Athens, GA, USA
Artist statement
As a disabled Black woman, I have a desire for people to accept or appreciate me for both my surface and what’s below it; to humanize me not because of my appearance, but despite it. My paintings channel the complexity of my identity. Through bold colors, sly references to art history, fractured patterns, and overflowing viscera. I create a surface of works that are richly layered, both demanding attention and refusing any simple legibility. My anthropomorphic figures are another way for me to visualize my own body. Their irregular extremities are intended to express a state of atrophy, a wasting away of muscles, which is a symptom of many physical disabilities. I render them joyful and beautiful, reclining and covered in gems. The sculptures long, lumpy limbs are adorned with pearls, sparkles, colorful braids, and other markers of exuberant femininity. Ambivalence is a core theme in my work. These figures exist on the border of abstraction and representation. It is impossible to tell if they are inside or outside, or if they show the interior or exterior of their bodies. I’m interested in the evocation of nostalgia for girlhood, while also imagining possible futures. Neither utopian nor dystopian, I instead produce bodies that refuse to be contained.
Artwork
- It Ain't That Deep , 2021. gouache, glitter, and fabric on panel
- Make a Wish, 2021. gouache, glitter, and molding paste on panel
- Fix You a Plate, 2022. gouache, glitter, and molding paste on panel
- Out of the Woodwork, 2022. gouache, glitter, and synthetic hair on panel
- Black Magic , 2022. gouache, glitter, pearls, and canvas on panel
- Them Guts, 2022. gouache, glitter, and fabric on panel
- Feel Better , 2021. gouache, glitter, hair, and pearls on panel
- Little Vicky of 3 years , 2021. nylon, pearls, nipple tassels, and synthetic hair
- Soft Tissue Cry Baby , 2021. nylon, ink, acrylic nails, and synthetic hair