Von Hyin Kolk
Lives and works in New York City, NY
Artist statement
My paintings explore the schisms created by fragmentary comprehension, drawing directly from my experience as the child of Cantonese-American immigrants. Although the literal subject matter of my work varies from piece to piece, the paintings are tied together by the concurrence of maturity and naiveté mirroring my own lived experience. My linguistic understanding of Cantonese is like that of a child, even though my actual cognitive abilities are those of an adult — the discord that this produces is what I aim to express in my paintings. This paradoxical experience is physically articulated through the accuracy of my drawing and rendering, while my warped compositions and my juxtaposition of subject matter lean towards the whimsical. Within each piece, the paint application runs a wide gamut: fully rendered sections exist to parallel instances of accurate linguistic interpretation, while other areas feature cruder, thinner paint layers, prominent brushstrokes, and line contours, analogous to superficial, one-dimensional understanding. This constant push and pull between ignorance and knowledge, logic and absurdity, play and restraint, and figuration and abstraction are the foundations of my practice.
Artwork
- Point at a Deer, Call it a Horse (Wordboil Motherfeed), 2025. oil and colored pencil on canvas
- Slow Mothers Pretend Lounge (10,000 Stallions Galloping Too Loud), 2026. oil, acrylic, colored pencil, inkjet print, and soft pastel on canvas
- PrettyBoi [Popping] Collar Child (Lang Zai), 2025. oil and colored pencil on canvas
- None Fish Vapor, No Air Sound (Mo Sang Hai), 2025. oil and peeled heat transfer on wood
- Eccentric, A That Person, A PassBy Person (Gaw Yun), 2025. oil, soft pastel, image transfer on canvas
- Point At A Deer & Call It A Horse (My Green Character Feeds The Horse), 2026. oil, acrylic, and colored pencil on canvas
- Point at a Deer, Call it a Horse (Wordboil Motherfeed), 2026. oil, soft pastel and colored pencil on canvas
- Trendy Under {Fashion King} (study), 2025. oil, acrylic, image transfer, and colored pencil on canvas
- Oil Son Has Boy, 2025. oil on wood
- Hooking Ox Bite (Gnau Gun Gnau Gnauw), 2025. oil on canvas
- Ox Regurgitation (Gnau Gnau), 2025. oil on canvas
- Daughter Hold-In (Woman/Women), 2025. graphite and colored pencil on paper