Wen-Hsuan Kuo
Lives and works in Taipei, Taiwan
Artist statement
Honesty is both the ethical position and the working method of my practice. I examine the distance between what exists, what is recorded, and what is recognized as real. Rather than claiming authority over truth, I create conditions in which objects, actions, and records remain open to examination. Each work raises a question; I respond through a material action, rule, or system; and that response generates the next question. My use of repetition, regulated language, and procedural structures developed partly from fifteen years of military education and service. Over the following fifteen years, my professional practice in the traditional mounting and conservation of Chinese painting and calligraphy introduced another system of boundaries, support, preservation, and removal. Together, these experiences shape how I examine the production and maintenance of evidence through physical materials and systems of record. The visual restraint of my work is deliberate. I remain cautious of spectacle and immediate effect, including the persuasive appearances produced by artificial intelligence. An image can appear complete before its source, process, and responsibility have been examined. I therefore use reduced forms, repetition, material traces, and restrained presentation to slow down judgment and keep the conditions of a work visible. Time is not a final answer, but the condition through which every claim is tested. Materials deteriorate, memories change, objects disappear,...
Artwork
- Self-Portrait 5: Time Sculpture, 2026. Ink on paper, accumulated daily self-portrait drawings, weighing scale, wooden table, and installation
- Self-Portrait 4, 2025. Original GPT-5 text output, printed text on paper, traditional mounting materials, and wooden frame
- Nonexistent Documents, 2023. Discarded outer paper offcuts from other artists’ works, twenty-seven-part wall installation
- Sovereign Seal: Genesis Seal, 2025. Paper, ink, mounting materials, sealed private key, and Bitcoin
- Parasitic Roller Knobs, 2023. Porcelain clay and white glaze
- Parasitism, 2023. Paper, ink, ceramic roller knobs, wooden roller, and hanging-scroll mounting
- Time Sealing, 2026. Paper, ink, mounting materials, Bitcoin transactions, blockchain records, and installation
- Self-Portrait 2, 2023. Black foil, ink, paper, and four-panel folding-screen mounting