Yi To
Lives and works in London, UK
Artist statement
I’m exploring the pre-narrative state of life formation where the body cannot be located in a specifically gendered, racial, or geographical point. Seeing existence as an embryonic domain where it actively takes the shape of reproductive patterns that vascularise, root, and sublate within a collective network, how this matrix relates to transcendence and the sublime is a fascinating and equally enigmatic subject that my practice heavily draws upon. To dissect existence and human’s role in it is to piece together fragments found through the lens of a history of mark-making, where discolouring, erosion, oxidation, and fading speak volumes of how decay naturally follows formation and the back-to-back relationship between life and death. Pigment and material here serve as cohesive devices that reveal primordiality and the present as a single organism and reinvent contemporaneity.
Artwork
- Continuum, 2021. Oil on cement
- Umbilical, 2021. Oil on canvas
- Resonance Windows, 2021. Oil on cement
- Incision II, 2021. Oil on cement
- Incision, 2021. Oil on cement
- Reciprocal Topography, 2021. Oil on canvas
- Pattern Buffer, 2021. Oil on canvas
- Cosmic Temporal Freight Train, 2020. Oil on canvas
- The Geography of Nothingness, 2020. Oil on canvas
- Primal Vacancy, 2020. Oil on canvas
- The Chain of Daily Gestures, 2020. Oil on canvas
- Inertia, 2020. Oil on canvas
- A Short History of Decay, 2020. Oil on hessian
- Information Superhighway, 2020. Oil on canvas